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In praise of the working poor : archeology of class struggle through the arts of representation in Comrades (Bill Douglas, 1987) and The Fool (Christine Edzard, 1990)Social class on British and American screens : essays on cinema and television / edited by Nicole Cloarec, David Haigron and Delphine Letort, McFarland & company, pp.153-166, 2016, 978-1-4766-6234-3
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hal-02183952v1
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Darwin (1992) de Peter Greenaway : une révolution en 18 tableauxDarwin (1992) de Peter Greenaway : une révolution en 18 tableaux, Nov 2009, Le Mans, France
Conference papers
halshs-00632095v1
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Ian McEwan's Atonement (2001) and Joe Wright's film adaptation (2007)Ellipses, pp.240, 2017, 978-2-340-02127-3
Books
hal-02183812v1
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Images de captivité et captures d.images dans The Piano Tuner of Earthquakes (Stephen and Timothy Quay, 2005)Les Cahiers du CEIMA, 2010, 6, pp.85-98
Journal articles
halshs-00632092v1
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Les explorations mémorielles de Guy Maddin dans sa "Me Trilogy" (Cowards Bend the Knee 2003, Brand Upon the Brain! 2006-07, My Winnipeg 2007)15ème congrès international de la SERCIA " Memory in/of English-speaking Cinema / Le cinéma comme vecteur de la mémoire dans le cinéma anglophone ", Sep 2010, Besançon, France
Conference papers
halshs-00632102v1
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Les spécificités du kitsch dans le cinéma anglophoneSpecial issue hal-02047870v1 |
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Censorship v. Freedom of Speech in English-Speaking Countries. Cultural, Political and Historical PerspectivesRevue LISA / LISA e-journal, 2013, Censorship in Action, Reactions to Censorship, XI (1), ⟨10.4000/lisa.5171⟩
Journal articles
hal-02183918v1
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Kitsch and Avant-garde Television in Blackpool (Peter Bowker, BBC, 2004)Revue LISA / LISA e-journal, 2017, Les spécificités du kitsch dans le cinéma anglophone, XV (1), ⟨10.4000/lisa.9070⟩
Journal articles
hal-02183843v1
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Surface and Depth in Korea (Cathal Black, 1995)Screening text : critical perspectives on film adaptation / edited by Shannon Wells-Lassagne and Ariane Hudelet, McFarland & company, pp.153-163, 2013, 978-0-7864-7230-7
Book sections
hal-02183967v1
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In search of Purcell’s legacy: Tony Palmer’s England, My England (1995)Women activists and civil rights leaders in auto/biographical literature and films / Delphine Letort, Benaouda Lebdai, ed., Palgrave Macmillan, pp.207-220, 2018, 978-3-319-77080-2
Book sections
hal-02183931v1
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From the banned telefilm to the feature film: the two versions of Alan Clarke's Scum (1977/1979)colloque " Censorship and Discourse in English-speaking countries (16th-21st centuries) ", May 2010, Rennes, France
Conference papers
halshs-00632101v1
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From the Banned Telefilm to the Feature Film: the Two Versions of Alan Clarke’s Scum (1977-1979)Revue LISA / LISA e-journal, 2013, Censorship and the creative process, XI (3), ⟨10.4000/lisa.5549⟩
Journal articles
hal-02183879v1
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Filmer les marges ; filmer en marge. Portraits de cinéastes femmes en Grande-Bretagne contemporaineAtala. Cultures et sciences humaines, 2010, pp.123-138
Journal articles
halshs-00632088v1
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La couleur selon Derek JarmanCinéma et couleur/ Film and Colour, Michel Houdiard éditeurs, pp.259-269, 2009
Book sections
halshs-00632109v1
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Derek Jarman : lyrisme et radicalitéLigeia, dossiers sur l'art, 2010, 97-98-99-100, pp.202-209
Journal articles
halshs-00632090v1
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Panoptic Matrix: Gothic intertext and silent film aesthetics in Guy Maddin's Brand Upon the Brain! (2006-2007)9ème congrès de l'International Gothic Association " Monstrous Media/Spectral Subjects ", Jul 2009, Lancaster, United Kingdom
Conference papers
halshs-00632106v1
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My Winnipeg de Guy Maddin (2008) : essai de topographie personnelleCongrès de la SAES " Essais ", May 2009, Bordeaux, France
Conference papers
halshs-00632104v1
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Tunes of glory or jarring notes? Filming the Great War in music: Oh! What a Lovely War (Richard Attenborough, 1969) and War Requiem (Derek Jarman, 1989)War memories : commemoration, recollections, and writings on war / edited by Stéphanie A. H. Bélanger and Renée Dickason, McGill-Queen's university press, pp.350-369, 2017, 978-0-7735-4793-3
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hal-02183935v1
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Au commencement était l’énigme: l’adaptation du roman de Robert Walser par Stephen et Timothy Quay dans Institute Benjamenta (1995)L'adaptation cinématographique : première pages, premiers plans / sous la direction de D. Letort et S. Wells-Lassagne, Mare & Martin, pp.271-289, 2014, 978-2-84934-154-4
Book sections
hal-02183987v1
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Social class on British and American screens : essays on cinema and television / edited by Nicole Cloarec, David Haigron and Delphine LetortMcFarland & compan, pp.257, 2016, 978-1-4766-6234-3
Books
hal-02183824v1
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IntroductionSocial class on British and American screens : essays on cinema and television / edited by Nicole Cloarec, David Haigron and Delphine Letort, McFarland & company, pp.1-16, 2016, 978-1-4766-6234-3
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hal-02183941v1
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Censure et processus de création / sous la direction de Nicole Cloarec, Delphine Lemonnier-Texier et Nathalie MerrienRevue LISA / LISA e-journal, XI (3), Presses universitaires de Rennes, 2013, Censorship and the creative process = Censure et processus de création
Special issue
hal-02183863v1
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Le, tu, vous parle : le cas de The Savage Eye (Ben Maddow, Sidney Meyers, Joseph Strick, 1959) et de Blast of Silence (Allen Baron, 1961)14ème congrès international de la SERCIA " The Cinema speaks : words, voice and language / La Cinéma parle ", Sep 2009, Paris, France
Conference papers
halshs-00632097v1
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The Specificities of Kitsch in the Cinema of English-Speaking Countries / ed. by Nicole Cloarec and Isabelle Le CorffPresses universitaires de Rennes, XV (1), 2017, Les spécificités du kitsch dans le cinéma anglophone
Books
hal-02183896v1
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